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Browning Elitę-HP5-Ultra Trail Camera Review and Teardown — 28 Comments

  1. Thanks for the detailed and unbiased review. I was in the ” Stand By Mode ” wanting to replace a number of cameras with the Ultra. I’ll put that on hold for a while.

    Thanks Again
    Jim

    • Glad you found this useful, Jim. It was a disappointing review to write 🙁 Hopefully, I will have to publish a an update with better news soon.

      PS: Janet and I really like seeing your captures from MA!

  2. Thanks, Bob,
    Unfortunately, we’re not getting our money’s worth at the moment. But I hope Browning has got to work on it. They’ve proven themselves capable of quickly adapting firmware after the first complaints about the HP5 Ultra started pouring in. Although I fear that Browning will only really tackle all the problems once sales collapse…
    Who on the development team came up with the ridiculous idea of removing the 1080P 60fps setting (present on the HP5 classic) and leaving only the 30fps option on the HP5 Ultra? This is truly incomprehensible.
    Browning really needs to be careful not to lose its reputation and market share, because there are already cheaper brands with a Sony Starvis on the market. Customers who abandon a brand do not return quickly. We have already seen Moultrie almost completely disappear from the scene, while Bushnell, fortunately, quickly realised that they had made mistakes and have at least taken action. But whether the owner of Browning (Prometeus) really cares about what the small trail camera division is doing remains to be seen.
    For now, I am giving Browning the benefit of the doubt. The Sony Starvis does offer the possibility of achieving very good results, which would allow Browning to remain one of the top choices for many trail camera users.
    PS. Bob, do they still have that same small internal (problem) battery installed in the HP5Ultra?

    • Thanks, Gerard! I’ve just learned more about the complex tech supply chain it takes to design and build one of these cameras — so many opportunities for failure. The subject of a future post. In the meantime, I’m 100% with you on Browning/Prometheus dropping the ball on this. Market share disappears in a heart beat, takes a long time to win back! Perhaps this will spur them to add an “image quality” sign-off criterion to their contracts with their suppliers.

      And, yes, looks like same small ultra cap powering the RTC during battery swaps; same SMD PCB tech.

  3. Hi Bob,
    Even if software does a lot in imaging module, I’m wondering if the Icatch v55 is good enough to work with imx675 sensor.
    Other trail cam manufactuter such as izeeker are using Novatek 96670 which seems to be really better.
    What do you think?
    Nicolas.

    • Reminder that I haven’t been able to find a spec sheet for the iCatchTek V55, so I’m basing my response on the V57. Google Gemini rates the V57 is a “better” chip for trail camera applications. Here’s the prompt I used: “compare icatchtek v57 vs. Novatek NT96670 for trail camera applications”

      The Novatek part is an older. Gemini seems to think it as a Boot-wakeup speed of 1-3 seconds (vs. < 0.15 seconds for the V57). Do you see a really slow trigger time for the izeeker? The V57 has an onboard NPU for AI applications, missing in the Novatek part, though this appears not to be used in the HP5 Ultra (yet). Perhaps this indicates a strategic direction, though.

  4. Hi,
    I often use gemini but i take answers with some distance.
    For izeeker ig600 using this novatek multimédia processor, wakeup time is very speed & gives 0.2 0.3s for photo vidéo
    Did you notice hp5u trigger time for photo? It’s amazing, 0.04s!!! While vidéo is about 0.3s. I think stand-by mode is différent with the Icatch processor to wake up faster which explain higher stand-by current
    About 60uA vs 30uA for hp5
    Anyway, i do not explain so Bad vidéo quality for hp5 ultra.
    Hope they will understand that people doesn’t want hp5 u with lower quality than hp5.
    New sensor should give so good results, hope for new firmware update

    • Thanks for the info on the izeeker ig600. Sounds like Gemini was confused, and/or the engineers have worked around a limitation in the SOC.

      I did not measure the trigger time for photos or videos, but 40 ms would be excellent. Is this something you measured? I see that TCP lists it at 20 ms (even better!). I’ll definitely take a look at this when I update my review for the rumored second firmware update for this camera.

      I think the higher stand-by-current is because the V55 has its own “always on microcontroller”, as well as PIR sensor input. However, the HP5 Ultra also has the legacy discrete “always on” STM microcontroller which was required with earlier SOCs. My hunch is that the manufacture decided to keep the old mechanism in to limit risk, and reduce new firmware effort for the first product. It seems likely that they will use the new SOC function eventually, since it will allow them to remove the STM part from the BOM. This should substantially reduce standby power. In the meantime, the HP5 Ultra has a slightly higher standby power.

      • As I’m working for STM, I hope they will keep the legacy 🙂
        And yes I’m doing a lot of test for various trail camera such as consumption, trigger time, recovery, etc & the 40mS in photo mode is just awesome, even if for video it’s about the same as for hp5

        • Wait, what? STM shouldn’t be happy with the (disappearing) boot controller!

          Doesn’t STM have an SOC that competes with the iCatchTek or GTek SOCs?

          -bob

  5. 32 bits STM is sold in tenth of million units per year but I was very proud to see it in browning cam, even if very low volume. We’ll see what happen next.
    STM is a very large company with a lot of activities with a major american smartphone manufacturer… mainly in the imaging division I’m working for, but we do not design Soc, market is already saturated with asian manufacturer.

    • No – I get it (I once worked for Intel, after all). Still, it’s frustrating that the trail camera technology ecosystem is so vertical on Asian suppliers.

  6. Interesting stuff Bob. Have you found a way to have cameras write to storage that is not onboard, without needing one of the companies apps? I am looking into it now and see you have done way more research and trial than I have. Any insight is appreciated.

    • I have not done any reversing of cellular cameras. But that won’t stop me 🙂 My guess is that there is a configuration file on one of the embedded EEPROM based file systems which tells the camera who to talk to on the cellular network. In principle, if you can find this file, and update I with the address of your own “listener” you could grab the images directly.

      [If the network addess is built into the firmware image itself, as opposed to a configuration file, the task is *much harder*. This because it seems like most cameras are now using SOCs which support (cryptographically protected) “secure boot” to validate a firmware image]

      Of course, you would have to reverse engineer the protocol and build that into your listener.

      You will also have to deal with whatever authentication and security the camera vendor has built into their firmware images. This could range from generating a simple checksum, to hacking some cryptographic image protection.

      Some of the tools I built for reversing the firmware may be useful to you. Make sure to checkout post series Deep Tech: Hacking Trail Camera Firmware 1 — Overview, which includes pointer to my github site where all these tools live.

      If you decide to go down this path, happy to consult.

  7. Hi Bob, thanks as usual for sharing your detailed work on this. Incredibly disappointing to hear of ‘cryptographic barriers’ that will prevent you from doing Browning’s job for them as you have with the older HP5’s. All the best from Germany 🙂

    • Thanks. I have mixed feelings about the cryptographic barriers. On the one hand, it marks the end of a project. On the other hand, I have lots of other projects in mind. Stay tuned to see if any of them pan out.

  8. Hi Bob,

    As always,Bob, great review!

    Is the new Ultra HP5 still limited to 20 seconds for nighttime captures? If so that is deal breaker for me.
    Of all the hacks you have done for the HP5, this has been the single most valuable for me. I set all my HP5’s for one minute on the Ultra setting and have captured some extraordinary clips. I run all my cameras
    on external solar charging batteries, so battery life is not a problem. I do not see Browning adding this option in any updates as the Ultra HP5 seems to be a power consuming monster. “The HP5-Ultra at its maximum QHD resolution and 60 FPS uses 2.5 W, which is about 25% higher power than the maximum FHD resolution of the HP5.”

    • Sadly, the HP5 Ultra inherits the same mysterious 20-second limit on night-time video. As you say, many times the quality of the capture is much more important than the battery cost of running the flash. Browning, if you’re listening, we wish you’d fix.

      In constrast, there are good technical reasons why the higher resolution requires more power, starting with the fact that it involves writing twice as much data to the SD card, which is a major energy cost. Sadly, we are past the “golden age” of silicon scaling where energy per operation scales geometrically with new technology.

  9. Thanks for updating your review after firmware updates. I’m surprised nobody has commented since then. I have both the Spec Ops BTC-8A and the Spec Ops Elite HP5. I think I’m going to pull the trigger on the Ultra.

  10. Good evening, everyone.

    Today, my new Recon Force Elite HP5 Ultra arrived.

    I recorded sample videos in every available resolution before and after updating the firmware.

    I extracted the MediaInfo data into .txt files and asked Gemini to analyze it. According to the analysis, some parameters improved, while others appear to have worsened, particularly the color range characteristics.

    I can clearly see an improvement in the overall image quality, but I don’t understand why they introduced what seems to be a downgrade in the color range.

    Does anyone have any idea why they would do this?

    Best regards,
    Erik from Brazil.

    https://i.postimg.cc/k56pVBsr/ultra-comparison.png
    https://i.postimg.cc/k5gtwbzC/new.jpg
    https://i.postimg.cc/s2HGL2C2/old.jpg
    files
    https://we.tl/t-zYCgsyr02jARfdCA

    • Interesting. I duplicated your work with some gemini created python code. Indeed, the new firmware uses the yuv420p (color values 16..235), whereas the old uses the wider range yuvj420p (color values 0..255). I did confirm that the HP5 also uses the narrower color range:

      — Detailed ffprobe metadata for: HP5-Example.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 25081173 bps
      Pixel Format (Color Map): yuv420p
      Video Frame Rate: 60/1
      Audio Stream Codec: pcm_s16le
      Audio Sample Rate: 44100 Hz
      Audio Channels: 1
      Audio Channel Layout: None
      Audio Bit Rate: 705600 bps

      — Detailed ffprobe metadata for: IMG_0001_1080p-30FPS_new.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 11997512 bps
      Pixel Format (Color Map): yuv420p
      Video Frame Rate: 30/1
      Audio Stream Codec: aac
      Audio Sample Rate: 22050 Hz
      Audio Channels: 1
      Audio Channel Layout: mono
      Audio Bit Rate: 63850 bps

      — Detailed ffprobe metadata for: IMG_0005_1080p-30FPS_old.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 11974407 bps
      Pixel Format (Color Map): yuvj420p
      Video Frame Rate: 30/1
      Audio Stream Codec: aac
      Audio Sample Rate: 22050 Hz
      Audio Channels: 1
      Audio Channel Layout: mono
      Audio Bit Rate: 63867 bps

      — Detailed ffprobe metadata for: IMG_0002_1080p-60FPS_new.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 23901118 bps
      Pixel Format (Color Map): yuv420p
      Video Frame Rate: 60/1
      Audio Stream Codec: aac
      Audio Sample Rate: 22050 Hz
      Audio Channels: 1
      Audio Channel Layout: mono
      Audio Bit Rate: 63844 bps

      — Detailed ffprobe metadata for: IMG_0003_1440p-60FPS_new.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 46077303 bps
      Pixel Format (Color Map): yuv420p
      Video Frame Rate: 60/1
      Audio Stream Codec: aac
      Audio Sample Rate: 22050 Hz
      Audio Channels: 1
      Audio Channel Layout: mono
      Audio Bit Rate: 63863 bps

      — Detailed ffprobe metadata for: IMG_0006_1440p-60FPS_old.MP4 —
      — Key details from ffprobe —
      Video Stream Codec: h264
      Video Stream Bit Rate: 37898992 bps
      Pixel Format (Color Map): yuvj420p
      Video Frame Rate: 60/1
      Audio Stream Codec: aac
      Audio Sample Rate: 22050 Hz
      Audio Channels: 1
      Audio Channel Layout: mono
      Audio Bit Rate: 63919 bps

      Gemini’s best guess on why they might have done this…

      Prompt: “These files are from a trail camera with two different firmware loads. Can you think of a reason the manufactuer might have gone from yuvj420p to yuv420p on color map?”

      G:
      That’s a very insightful question, especially considering the context of trail cameras! There are several practical reasons why a manufacturer might switch from yuvj420p (full range) to yuv420p (limited range) color mapping in their firmware:

      Display Compatibility and Perceived Quality:

      Most consumer displays (like TVs and many monitors) are designed to expect and correctly display limited range (yuv420p) video. If a camera records in full range (yuvj420p) and it’s played back on a limited-range display without proper conversion, the video will often look “washed out” or have poor contrast (blacks are gray, whites are dull).
      By switching to yuv420p, the manufacturer ensures that the footage looks correct and vibrant on the majority of playback devices without the user needing to adjust display settings or perform post-processing. This improves the out-of-the-box user experience.
      Bandwidth and Storage Optimization:

      While both formats use 8 bits per component, yuv420p effectively uses a smaller numerical range (e.g., 16-235 for luma) to represent video data compared to yuvj420p (0-255). This smaller range can sometimes lead to slightly better compression efficiency, or at least a simpler compression pipeline.
      For trail cameras, storage capacity (SD cards) and battery life are critical. If using yuv420p allows for slightly smaller file sizes or requires less processing power to encode (thus saving battery), it’s a significant advantage.
      Standardization and Interoperability:

      Many broadcast and digital video standards, especially for common codecs like H.264 (which your cameras use), are inherently designed around or commonly implement the limited (MPEG) range of yuv420p.
      Aligning with these common standards can simplify firmware development, ensure broader compatibility with video editing software, playback devices, and potentially leverage hardware video encoders more efficiently.
      Avoiding Clipping:

      In a situation where the sensor data might occasionally go beyond the ‘safe’ limited range (e.g., very bright reflections), mapping it directly to a full range might create issues if it then needs to be displayed on a limited-range display. By proactively mapping to yuv420p, the manufacturer might be trying to manage the visual appearance of very bright or dark areas more predictably for common displays, even if it technically means ‘clipping’ some extreme values.
      In essence, the switch likely prioritizes wider display compatibility, a better out-of-the-box viewing experience for the average user, and potential optimizations for storage or battery life, even if it technically means a slightly reduced numerical range for color information.

      • That’s an interesting piece of information. Since the file recording process is simpler, it consumes less power, helping to extend battery life.

        Now, regarding the quality of today’s displays and video codecs, whether H.264 or more advanced alternatives, I don’t believe we are as limited as we were years ago.

        Just look at the display quality of modern smartphones, smart TVs, and monitors. In my opinion, most of these devices have been capable of accurately reproducing more advanced color standards for quite some time.

        Two years ago, I bought an LG C4 OLED TV, and the improvement in image quality was absolutely remarkable. My drone footage and virtually all other video content look significantly better than before.

        I have also been using a Dell ULTRASHARP 4K monitor on my PC for about four years. Although it is an LCD display, its image quality is excellent.

        In my humble opinion, if the change was made to save battery life, I can certainly understand and accept that. However, I don’t see how display quality could still be considered a limiting factor when it comes to adopting a wider or more advanced color spectrum.

        I also found it interesting that the bitrate was increased by approximately 21% at 1440p resolution. That should make a noticeable difference in video quality. It would be even better if that bitrate could be paired with the H.265 codec, as I believe it could further improve image quality to the efficiency and advantages inherent to H.265 itself.

      • About the audio, the HP5 Standard model seems technically better, because it records in PCM mono, 44.1 kHz, 16-bit, at 705.6 kb/s. The HP5 Ultra records in AAC LC mono, 22.05 kHz, at only 64 kb/s, which is much more compressed.
        So, for pure audio quality, I would say PCM is better, especially for nature sounds like birds, insects, leaves, water, and footsteps.
        I just hope the audio does not have that annoying hiss, like some cheap low-quality Chinese trail cameras.

        • I think the decision behind the H264 (vs. H265), and color map probably has more to do with getting the “best” image quality for the most people in the easiest way. Switching to either would probably raise their customer service costs, which is probably the largest single controllable cost Browning (Prometheus Group) has.

          The regression in audio sampling rate and encoding is more mysterious. I will say that the HP5U audio does not seem as loud or sensitive as the HP5. Maybe a battery life thing? I’m working on a post about trail camera audio, encouraged by work of Christian Langlois. We haven’t heard any “hissing”

          I’m pretty sure the new SOC supports both H265, the broader color map, and better audio. And now having three firmware releases where at least some of these are changed, it might be possible to reverse engineer the SOC configuration registers enough to figure out how to set them to get these features. Unfortunately, I’m almost certain that the (new) “secure boot” infrastructure would prevent me from building a viable firmware image for this camear (as I did for pre-secure-boot models).

          Maybe Browning would send me the cryptographic key?

          • Some changes for the worse are hard to understand.

            Is it really possible that the Ultra hardware cannot support audio at 96 kb/s and 44.1 kHz?

            We know the Elite series is supposed to bring the best with each new release. In my opinion, this audio change was another mistake. Maybe they will fix it in the future, just like they did with the Ultra resolutions, including 1080p at 60 FPS.

            It would be great if they sent you the encryption key. Your firmware improvements are excellent. By the way, I have two HP5 cameras that are still working only because of your firmware, since they still have not fixed the SD card writing issue.

            Best regards,
            Erik from Brazil

    • My guess would be that they need more processing power to reduce noise, so they are sacrificing other marginal specifications.

      These tiny high resolution sensors produce a lot of noise, so any gain in image quality requires complex algorithms to “clean” their images.

      That could explain why the latest model has a narrower field of view and color range, lower audio sampling rate, and yet consumes more energy than the older!

      I noticed my Browning cameras usually produce images with more contrast than other brands, meaning they are certainly more digitally processed, by playing on clarity, gamma, contrast, and all this requires processing resources that are not available to handle other parameters.

      It might just be a trade off between these slightly lower technical specs and the overall final image and sound. For example no one can hear up to 22 kHz (44.1 kHz sampling rate) except some little kids maybe, so most won’t notice much difference, even with a good microphone and speakers.

      • I think these are valid general issues, but I’m not sure they’re the primary issues for the HP5 Ultra transition.

        The Sony Sensor used in the Ultra has, despite its higher resolution, better per-pixel noise characteristics than the ones found on earlier models, so I don’t think they need to invoke any new processing on the Ultra for that.

        The newer sensor is natively a little larger than the 2K video resolution. I believe they just take a “2K crop” out of the middle of this larger sensor, which results in a slightly narrower field of view.

        I think the higher power consumption is down to the higher resolution of the 2K video, compressed using the same H264 codec, into the SD card. Writing data into an SD card is a primary energy cost in video recording, and likely accounts for most of the 25% increase in power consumed by the HP5 Ultra when shooting 2K. Note that when shooting at the same FHD/60FPS as the original HP5, the power consumption is about the same.

        Using a more efficient H265 codec, which improves compression efficiency by about 20% would get the SD write rate back down, which would get them back to power parity with the earlier models, even at higher resolution. It would cost more power in the video processing pipeline, but this would be mitigated by the more efficient SOC. Importantly, it also requires H265 hardware support in PC/Macs to make it perform well for playback and editing. Modern PC/Macs have this support, but Browning may not want to disappoint customers with older PCs, hoping to avoid customer service calls like:

        Customer: I bought this new camera, but when I look at it on my computer, the video is all choppy, with digital artifacts.
        Browning: That’s OK, all you need to do is buy a new PC.

        I’ve noticed that Browning tends to introduce new tech slowly into their product line, often waiting for the next model release to add firmware based features that they could have released on earlier models. This possibly to avoid surprises, like the image quality issue they ran into initially with the HP5 Ultra. There’s a chance they will do the same thing with the Ultra follow-on. Could be accelerated if a portion of their potential market makes a stink. The image quality revolt was such a stink. Seems to us that audio quality has been gradually deteriorating over the SpecOps/ReconForce models, possibly to the point where customers notice. This could be the next “stink.”

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